Dalida Maria Benfield. Minh-ha, Chair Colonial wounds endure but are refigured in 21st century cinematic landscapes.
These are spaces of memory and mourning, as well as sites of creativity and transformation. New assemblages of power emerge along with equally complex amalgams of resistance, producing multiple and competing cinematic regimes. Third Cinema, the cinematic movement that emerged alongside "Third World" struggles for decolonization in the late s, laid claim to a global space of cinematic production outside existing geo-political relations of power, hierarchies of communication flows, and towards the liberation of the "Third World" and its cinemas.
But while Third Cinema has ample genealogies and global sites of production, its critical tools have not been sufficiently engaged in an analysis of contemporary cinematic production, including digital video, interactive video installations, Internet art, and film, in the contemporary context of globalization, the transnationalization of capital with information technology at its core.
Third Cinema offers the opportunity for understanding and developing generative intersections between the cinematic decolonization movements of the "Third World" and the present context of cinematic praxis of the "Global South. The texts selected for study include video, video installation, Internet art, and film. This selection highlights the diversity of contemporary cinematic practices and expands the definition of the cinematic. The process and conditions of production are analyzed, and key examples of each artists' cinematic texts are given a close reading.
This conversation is anchored by three critical terms: apparatus, globality, and assemblage.
This was followed by works such as Sardari Begum and Zubeidaa , which was written by filmmaker and critic Khalid Mohamed. In he was a member of the jury at the 14th Moscow International Film Festival.
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With Zubeidaa , he entered mainstream Bollywood , as it starred top Bollywood star Karishma Kapoor and boasted music by A. Benegal is the current president of the Federation of Film Societies of India. He owns a production company called Sahyadri Films. He has authored three books based on his own films: The Churning with Vijay Tendulkar , based on Manthan ; Satyajit Ray , based on his biographical film, Satyajit Ray ; and The Marketplace , which was based on Mandi.
In he was a member of the jury at the 31st Moscow International Film Festival. The story revolves around the eponymous Chamki, a beautiful gypsy girl with a fiery temper and is written by Shama Zaidi. The music is by A. Rahman and lyrics are by Javed Akhtar. Benegal made a comeback on the small screen with Samvidhaan , a part mini-series revolving around the making of the Indian Constitution, to be aired on Rajya Sabha TV from 2 March The film will be released before Sheikh Mujibur Rahman's th birth anniversary, presumably by Shyam Benegal is married to Nira Benegal and has a daughter, Pia, who is a costume designer for feature films.
From Wikipedia, the free encyclopedia. Indian director and screenwriter. Main article: Shyam Benegal filmography.
Ministry of Home Affairs, Government of India. Archived from the original PDF on 15 November Retrieved 21 July Benegal wrote and directed short films on social themes with special relevance to the lower-income groups of the middle and working classes. Retrieved 1 August Times of India. Retrieved 11 September Archived from the original on 16 March Retrieved 8 February Archived from the original on 21 April Retrieved 2 June Bollywood Hungama.
The Daily Star.
Retrieved 23 August Retrieved 27 January Archived from the original on 22 March Retrieved 22 March University of Calcutta. Archived from the original on 28 May Awards for Shyam Benegal. Dadasaheb Phalke Award. Devika Rani Chaudhuri Roerich B.
Apparatuses, Globalities, Assemblages: Third Cinema, Now
Naushad L. Shantaram B. Chopra Hrishikesh Mukherjee Asha Bhosle Murthy D. Ramanaidu K. Padma Bhushan award recipients — Doraiswamy Nikhil Ghosh B.
Cinemas of the World: Film and Society from 1895 to the Present
Goyal Jasraj R. Narasimhaiah M. Srinivasan M. Venkatalakshamma C. Dua Hemlata Gupta K. Mathew G. Tarkunde Panangipalli Venugopal. Posthumous conferral — — — — — — — National Film Award for Best Direction.